laurenbanner.jpg

ABOUT LAUREN PEARL EBERWEIN

Canadian/American soprano, Lauren Pearl Eberwein, is known for her “luscious, rich tone”(Opera Canada), “Robust, dramatic voice”(Broadway World), and for her reputation as "an artist of subtle skill" (Classical CD Choice). She is a graduate of the Curtis Institute of Music, was a member of Opera Philadelphia’s Emerging Artist Program, and is currently a member of the Canadian Opera Company's Ensemble Studio.

This season with the Canadian Opera Company, Lauren sings the role of Fünft Magt in Elektra, a performance of Musetta in La Boheme, and covers the role of Sabina in the World Premiere of HADRIAN by Rufus Wainwright. Last season Lauren sang the roles of Gianetta in L’elisir d’amore, Countess Ceprano in Rigoletto, The Cook in The Nightingale, and a concert performance of Dido in Dido and Aeneas. She made her COC debut as Wellgunde in Wagner’s Götterdämmerung; and made her Lincoln Center recital debut at Alice Tully Hall, singing songs of Liszt with pianists Adam Golka and Orion Weiss. Lauren made her Carnegie Hall debut in 2016 singing Handel’s Israel in Egypt with the New York Choral Society.

An avid and passionate chamber musician, Lauren has held residencies at the Marlboro Music Festival, Chamberfest Cleveland, and The New York Festival of Song. Upcoming chamber music collaborations include projects with The Rosebud Quartet, Echo Chamber Toronto, The Aizuri Quartet, and a national tour with Musicians from Marlboro.

Lauren is the recipient of a 2016 Sullivan Foundation Career Development Grant.

Additional operatic credits include Olivia Cold Mountain; Mère Marie Dialogues des Carmelites; Clairon Capriccio; Der Komponist Ariadne auf Naxos (Opera Philadelphia). Dido Dido and Aeneas; Der Trommler Der Kaiser von Atlantis (Curtis Opera Theatre).

engagements

 For bookings please contact Lauren here.


Recital with Adam Golka and Michael Brown

Hornby Island Music Festival

August 9th, 2019, 8:00pm

Info here

 

Recital with the Aizuri Quartet

Harvard Musical Association

October 4th, 2019, 8:00pm

Recital with Israeli Chamber Project

January 24th, 2020

NYC - Location TBA

 

Musicians from Marlboro ~ International Tour

April 29th - May 5th, 2020

Locations TBA

 
color-3.png

Artistic Synthesis:

Lauren contributes to the Canadian Opera Company’s online newsletter as a guest writer, sharing her journey from score to canvas as she paints her way through Messiaen’s Poémes pour Mí.

NOTES : dispatches from the opera world

 
Lauren with a  Poémes pour Mí  study canvas

Lauren with a Poémes pour Mí study canvas

press

 
“Adam Golka is joined by the soprano Lauren Eberwein, an artist of subtle skill, on An Anna II, and a particularly delicate reading is given of all the music here, which is perhaps not as familiar as it should be.”
— [Classical CD Choice] On Lauren's debut album with pianist Adam Golka and First Hand Records
COC Ensemble soprano Lauren Eberwein was an enchanting Giannetta, her luscious, rich tone carrying beautifully over the choral ensemble that opens the opera. Her Act II scene with the female chorus when each ‘suddenly’ realises Nemorino is husband potential due to his recently inheriting a fortune, was a musical and comedic highlight.
— Opera Canada
The surprise of the evening was Lauren Eberwein’s too-brief portrayal of Adina’s friend, Giannetta. Eberwein’s robust, dramatic voice turned heads in the second act’s ‘Saria Possibile’
— Broadway World
Soprano Lauren Eberwein was flat-out stunning; She handled a part every bit as difficult as an atonal opera with beautiful aplomb, knocking out one huge leap after another with nary a moment’s insecurity or the slightest lapse in expressive control.
— Zachary Lewis, Cleveland Classical; on Lauren's performance of Kurtág's Kafka Fragments at Chamberfest Cleveland

contact

Name *
Name
color-3.png

Follow Lauren's musings and adventures on Social Media