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ABOUT LAUREN PEARL EBERWEIN

BIO 

Canadian/American soprano, Lauren Pearl Eberwein, is known for her “luscious, rich tone”(Opera Canada), “Robust, dramatic voice”(Broadway World), and for her reputation as "an artist of subtle skill" (Classical CD Choice).

Equally comfortable on both the operatic and concert stages, Lauren has made debuts at Lincoln Center, in recital at Alice Tully Hall, and at Carnegie Hall as a soloist with the New York Choral Society. She is a graduate of the Curtis Institute of Music, and trained with Opera Philadelphia’s Emerging Artist Program and the Canadian Opera Company's Ensemble Studio.

Lauren’s adaptable instrument and versatile stage presence allow her to be a chameleon on stage; during her three seasons in residence with the Canadian Opera Company she sang an exciting variety of roles, including Fünft Magt in Elektra, Musetta in La Boheme, Gianetta in L’elisir d’amore, Countess Ceprano in Rigoletto, The Cook in The Nightingale, Wellgunde in Götterdämmerung, and a concert performance of Dido in Dido and Aeneas. While in Philadelphia she performed the roles of Olivia in Cold Mountain, Mère Marie in Dialogues des Carmelites, Clairon in Capriccio, Der Komponist in Ariadne auf Naxos, Dido in Dido and Aeneas, and Der Trommler Der Kaiser von Atlantis.

Lauren is an avid and passionate chamber musician, and has held residencies at the Marlboro Music Festival, Chamberfest Cleveland, and The New York Festival of Song. Her upcoming chamber music collaborations include projects with The Hornby Island Festival, TaoArts Festival, Echo Chamber Toronto, The Rosebud Quartet, The Aizuri Quartet, and an international tour with Musicians from Marlboro.

Lauren is the recipient of a 2016 Sullivan Foundation Career Development Grant.

engagements

 For bookings please contact Lauren here.


Recital with Adam Golka and Michael Brown

Hornby Island Music Festival

August 9th, 2019, 8:00pm

Info here

 

Recital with the Aizuri Quartet

Harvard Musical Association

October 4th, 2019, 8:00pm

Recital with Israeli Chamber Project

January 24th, 2020

NYC - Location TBA

 

Musicians from Marlboro ~ International Tour

April 29th - May 5th, 2020

Locations TBA

 
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Artistic Synthesis:

Lauren contributes to the Canadian Opera Company’s online newsletter as a guest writer, sharing her journey from score to canvas as she paints her way through Messiaen’s Poémes pour Mí.

NOTES : dispatches from the opera world

 
Lauren with a  Poémes pour Mí  study canvas

Lauren with a Poémes pour Mí study canvas

press

 
“Adam Golka is joined by the soprano Lauren Eberwein, an artist of subtle skill, on An Anna II, and a particularly delicate reading is given of all the music here, which is perhaps not as familiar as it should be.”
— [Classical CD Choice] On Lauren's debut album with pianist Adam Golka and First Hand Records
COC Ensemble soprano Lauren Eberwein was an enchanting Giannetta, her luscious, rich tone carrying beautifully over the choral ensemble that opens the opera. Her Act II scene with the female chorus when each ‘suddenly’ realises Nemorino is husband potential due to his recently inheriting a fortune, was a musical and comedic highlight.
— Opera Canada
The surprise of the evening was Lauren Eberwein’s too-brief portrayal of Adina’s friend, Giannetta. Eberwein’s robust, dramatic voice turned heads in the second act’s ‘Saria Possibile’
— Broadway World
Soprano Lauren Eberwein was flat-out stunning; She handled a part every bit as difficult as an atonal opera with beautiful aplomb, knocking out one huge leap after another with nary a moment’s insecurity or the slightest lapse in expressive control.
— Zachary Lewis, Cleveland Classical; on Lauren's performance of Kurtág's Kafka Fragments at Chamberfest Cleveland

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