Canadian/American soprano, Lauren Pearl Eberwein, is known for her “luscious, rich tone”(Opera Canada), “Robust, dramatic voice”(Broadway World), and for her reputation as "an artist of subtle skill" (Classical CD Choice).

Equally comfortable on both the operatic and concert stages, Lauren has made debuts at Lincoln Center, in recital at Alice Tully Hall, and at Carnegie Hall as a soloist with the New York Choral Society. She is a graduate of the Curtis Institute of Music, and trained with Opera Philadelphia’s Emerging Artist Program and the Canadian Opera Company's Ensemble Studio.

Lauren’s adaptable instrument and versatile stage presence allow her to be a chameleon on stage; during her three seasons in residence with the Canadian Opera Company she sang an exciting variety of roles, including Fünft Magt in Elektra, Musetta in La Boheme, Gianetta in L’elisir d’amore, Countess Ceprano in Rigoletto, The Cook in The Nightingale, Wellgunde in Götterdämmerung, and a concert performance of Dido in Dido and Aeneas. While in Philadelphia she performed the roles of Olivia in Cold Mountain, Mère Marie in Dialogues des Carmelites, Clairon in Capriccio, Der Komponist in Ariadne auf Naxos, Dido in Dido and Aeneas, and Der Trommler Der Kaiser von Atlantis.

Lauren is an avid and passionate chamber musician, and has held residencies at the Marlboro Music Festival, Chamberfest Cleveland, and The New York Festival of Song. Her upcoming chamber music collaborations include projects with The Hornby Island Festival, TaoArts Festival, Echo Chamber Toronto, The Rosebud Quartet, The Aizuri Quartet, and an international tour with Musicians from Marlboro.

Lauren is the recipient of a 2016 Sullivan Foundation Career Development Grant.


 For bookings please contact Lauren here.

RUSALKA Canadian Opera Company


Saturday, October 12 at 7:30 p.m.
Wednesday, October 16 at 7:30 p.m.
Friday, October 18 at 7:30 p.m.
Sunday, October 20 at 2 p.m.
Tuesday, October 22 at 7:30 p.m.
Thursday, October 24 at 7:30 p.m.
Saturday, October 26 at 4:30 p.m.

tickets here

FIGARO’S WEDDING Against the Grain Theatre


December 3, 4, 5, 9, 10, 11, 13, 14, 15, 18, 19 & 20, 2019

tickets here

Brooklyn Chamber Music Society Recital

January 24, 2020

Tickets here

Schubert: "The Shepherd on the Rock,” D. 965, for soprano, clarinet, and piano
Brahms: Clarinet Trio in A minor, Op. 114
Brahms & Schumann: Song selections
Schumann: Piano trio No. 2 in F major, Op. 80

Lauren Eberwein, soprano
Alan Kay, clarinet
Carmit Zori, violin
Timothy Eddy, cello
Gilbert Kalish, piano

Golijov AYRE

Curtis 20/21 Ensemble

April 4th, Curtis Institute of Music, Philadelphia


Musicians from Marlboro ~ International Tour

March 28 - April 5

West Palm Beach, FL - March 28, 3pm

Sarasota, FL - March 30, 7:30pm

Montréal, GC - April 1, 7:30pm

Toronto, ON - April 2, TBD

Brattleboro, VT - April 4, 7:30pm

Boston, MA - April 5, 3:00pm

More information here


Artistic Synthesis:

Lauren contributes to the Canadian Opera Company’s online newsletter as a guest writer, sharing her journey from score to canvas as she paints her way through Messiaen’s Poémes pour Mí.

NOTES : dispatches from the opera world

Lauren with a  Poémes pour Mí  study canvas

Lauren with a Poémes pour Mí study canvas


“Adam Golka is joined by the soprano Lauren Eberwein, an artist of subtle skill, on An Anna II, and a particularly delicate reading is given of all the music here, which is perhaps not as familiar as it should be.”
— [Classical CD Choice] On Lauren's debut album with pianist Adam Golka and First Hand Records
COC Ensemble soprano Lauren Eberwein was an enchanting Giannetta, her luscious, rich tone carrying beautifully over the choral ensemble that opens the opera. Her Act II scene with the female chorus when each ‘suddenly’ realises Nemorino is husband potential due to his recently inheriting a fortune, was a musical and comedic highlight.
— Opera Canada
The surprise of the evening was Lauren Eberwein’s too-brief portrayal of Adina’s friend, Giannetta. Eberwein’s robust, dramatic voice turned heads in the second act’s ‘Saria Possibile’
— Broadway World
Soprano Lauren Eberwein was flat-out stunning; She handled a part every bit as difficult as an atonal opera with beautiful aplomb, knocking out one huge leap after another with nary a moment’s insecurity or the slightest lapse in expressive control.
— Zachary Lewis, Cleveland Classical; on Lauren's performance of Kurtág's Kafka Fragments at Chamberfest Cleveland


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